![]() Sex Education, or as melodramatic and aesthetically painstaking as the fantasy series The Innocents. It’s not as propulsive or overwrought as a post-apocalypse show like The Society, or as delightfully direct and humane as Did he play in the championship game? Was a scout there? How did it go? There’s no way to know!Īs a story about three high-school girls who become unlikely friends, who are allies in a way that’s both supportive and a little destructive, Trinkets is a solid teen show. By the next episode, his arm appears to be completely recovered. Noah’s soccer career and his desire to get into college hardly ever comes up before that point, and after it happens, the saga of Noah and his wounded arm never shows up again. In a minor vein, there’s a later episode where Moe’s crush, Noah, hurts his arm while skateboarding and gets very worried about how it will affect his chances of getting a soccer scholarship. Moe has an almost run-in with her dad, a plot that balloons into prominence and then deflates instantly. Elodie spends a while avoiding and worrying about giving a deposition regarding her mother’s car crash, but once it happens, we see almost none of it and then the story goes away entirely. The individual events of Trinkets roll forward without much concern for how they’ll all be integrated into an overall narrative structure, and obstacles tend to arise without much concern for the aftermath. It earns the same level of response as many other of their lesser worries. Or maybe not chill - it still moves the story, and it still feels like a threat to the central trio - but their emotional reactions are strangely muted. When the plot does pop up again later, everyone is oddly chill about it. But then, the mechanics of that story just … disappear for a while. For a short sequence near the middle of the season, it looks as though Elodie, Moe, and Tabitha are on their way toward being haunted by a life-shattering secret after they take revenge on Tabitha’s terrible boyfriend. In isolated pieces, it can be extremely affecting. The problem is that Trinkets can’t seem to stay focused on the particular psychologies or practicalities of a group of teen shoplifters, nor does it maintain a consistent sense of what stories matter, how much they matter, or how strongly anyone feels about anything at any given time. They’re trying to keep up the sense that everything’s always fine, while underneath, they’re rebelling. The girls shoplift to distract themselves and to mess with the surface appearance that everything is always all right. Tabitha’s parents are in an unhappy marriage, and her boyfriend, Brady, a classic emotional abuser who’s gathering steam toward a turn to physical violence. Elodie, for instance, is mourning the loss of her mother, who died in a car accident not so long before the show begins. None of them compulsively shoplift because they’re just bored, and Trinkets does not gloss over any of their frustrations or grief. When Elodie describes her life as “fated,” I confess I originally heard that line as “a little faded,” and within the feel of the series, it made a lot of sense.Įach of the girls deals with significant traumas or challenges. They are also bonded by their treatment on Trinkets, a show that explores the highs and lows of their lives - some of which, on paper, seem very high or very low - but that never quite manages to reflect the intensity of those experiences onscreen. They are bonded by their mutual secret shoplifting habit and their shared sense of being outsiders. Elodie is a queer introvert who’s just moved to town, Moe is a punk-styled Faith-from- Buffy type, and Tabitha is the wealthy girl with the popular boyfriend together, they gradually move from wary enemies to allies to friends. Elodie (Brianna Hildebrand), Moe (Kiana Madeira), and Tabitha (Quintessa Swindell) are teen girls who find one another at a Shoplifters Anonymous meeting. It’s time, she says, because “something about all this feels a little fated.”Įlodie is describing her life in Portland, Oregon, but she could just as easily be describing Trinkets, a new Netflix series adapted from the YA novel of the same name by Kirsten Smith. Elodie looks out over the river and gathers her resolve to shake up the status quo. ![]() She is about to make a monumental decision, something that will cause a lot of parental strife in her teen life, something that her two best friends, Moe and Tabitha, are both excited and anxious about. In the last episode of the first season of Trinkets, protagonist Elodie stands on a misty bridge looking out over a river.
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